Rightly So NF
An entry in the Palmer and Rey 1884 specimen book named, somewhat prosaically, Geometric Gothic provided the inspiration for this rectilinear romp through the alphabet. As apt as it is for a period ...
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Kenotaph NF
This willowy wonder is based on Morris Fuller Benton’s Stymie Obelisk, one in a series of typefaces he designed for American Type Founders in the 1930s. An obvious choice when real estate is at a ...
Troglodyte NF
Here is a faithful rendering of Albert Auspurg's a 1927 expressionistic masterpiece, Messe Grotesk Licht. Its raw power and compact letterforms make for commanding and engaging headlines. Both ...
Palmer Oxonian NF
The 1884 specimen book of San Francisco Palmer and Rey Type Foundry featured this elegant design under the name Oxford. The decorative caps, combined with the centered small caps, have a timeless ...
Orchard Street NF
This playful Art Deco classic was inspired by one of many posters produced by the WPA by anonymous artists during the 1930s. An inline version has been added to spice up the visual interest and add a ...
Oo Boodlio Doo NF
Bongo drums at the ready! Freeman Craw's archetypal beatnik typeface Ad Lib provided the inspiration for this indubitably eccentric excursion in coolsville typography. Both versions of the font ...
Looky Cookie NF
Hey, take a look at this! This typeface is just for fun, whenever you want to invite folks to take a gander, cast their eyes your way or otherwise check you out. Both versions include complete Latin ...
Iago NF
Two classics from American Type Founders specimen catalogs of the 1880s—Othello and ATF Black Caps—inspired this powerful headline face with a decidedly menacing quality. Suitable for creepy, eerie ...
Big Bag NF
This industrial-strength titling face takes its design cues from Hans Eduard Meier's Syntax Antigua. This version is bolder and beefier, so your headlines will grab and hold attention in a refined ...
Welo Casual NF
Another tip of the hat to master draftsman Samuel Welo. His famous Studio Handbook was hand-lettered throughout, and provided the inspirations for many of Nick's favorite fonts. This little number is ...