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Etienne

Etienne

Designed for ParaType in 2002 by Tagir Safayev. Inspired by the letterforms of Antique No. 8 typeface and other similar fonts of the 19th century (Latin Antique, Wide Latin, Etienne Condensed, Wide ...

Elizabeth

Elizabeth

The hand composition typeface was developed at the Ossip Lehmann type foundry (St. Petersburg) in 1904-07 (after designs by Alexander Leo?). It was redeveloped at Polygraphmash in 1960s for ...

Graffiti

Graffiti

An experimental type family designed at ParaType in 1996 by Alexander Tarbeev, based on the forms of PT Hermes, 1993, by Tagir Safayev. For use in advertising and display typography.

Dublon

Dublon

The typeface was designed for ParaType (ParaGraph) in 1994 by Oleg Karpinsky basing on his original artwork. A decorative face in Op-Art style. For use in advertising and display typography.

Decor

Decor

Designed in 1989 by Gennady Baryshnikov with participation of Vladimir Yefimov. Based on the calligraphic typeface of 1979 by Moscow book and type designer Pavel Kuzanyan (1901–1992). For use in ...

Dagger

Dagger

Developed at ParaType in 1996 by Alexander Tarbeev, based on PT Compact, 1991, by Vladimir Yefimov. For use in advertising and display typography.

Bazhanov

Bazhanov

PT Bazhanov™ was designed at Polygraphmash type design bureau in 1961 by Michael Rovensky (1902-1996). Based on the lettering by Moscow book designer Dmitry Bazhanov (1902-1945). Old-fashioned flavor ...

Bannikova

Bannikova

Designed at Polygraphmash type design bureau in 1946-51 by Galina Bannikova, inspired by Russian Grazhdansky early- and mid-18th century typefaces as well as Roman Humanist typefaces of the ...

Baltica

Baltica

Designed at Polygraphmash type design bureau in 1951-52 by Vera Chiminova, Isay Slutsker, et al. Based on Candida of Ludwig&Mayer, 1936, by Jakob Erbar. This typeface has the characteristics of ...

Academy

Academy

A classic example of a narrow 19th century 'egyptian' style font. Excellent for old-fashioned posters where space is limited.

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