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ID , 'foundry' );
if (!empty($terms) && !is_wp_error($terms)) {
foreach ( $terms as $term ) {
$term_link = get_term_link( $term, 'foundry' );
echo "Publisher: " . $term->name . "";
} } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
ID ) ) . ' font" class="img-fluid">'; } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
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ID ) ) . ' font" class="img-fluid">'; } ?>
Quandary Font Family was designed by Winnie Tan and published by Winnie Tan. Quandary contains 1 styles and family package options. The Quandary Font is created for a horror theme in use with an illustrated book ‘The Predicament’ by Edgar Allan Poe. It is designed as a highly expressive face to accentuate a sense of mystery and the macabre. A comparatively more carefree and free-spirited face, it comes as a uni-case single weight family used exclusively as the main face for the book. The characters are developed from the numeric glyphs found on the astronomical clock-face at Prague Old Town Square, Czech Republic. http://www.behance.net/gallery/Quandary/383204
