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ID , 'foundry' );
if (!empty($terms) && !is_wp_error($terms)) {
foreach ( $terms as $term ) {
$term_link = get_term_link( $term, 'foundry' );
echo "Publisher: " . $term->name . "";
} } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
ID ) ) . ' font" class="img-fluid">'; } ?>
ID , 'designer' ); if (!empty($terms) && !is_wp_error($terms)) { foreach ( $terms as $term ) { $term_link = get_term_link( $term, 'designer' ); echo "Designer: " . $term->name . ""; } } ?>
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ID ) ) . ' font" class="img-fluid">'; } ?>
Tengo Maquina Font Family was designed by Brian J. Bonislawsky, Dave Cohen and published by One Eyed Squid. Tengo Maquina contains 1 styles and family package options. Tengo Maquina! The influence for this typeface came straight off the album cover of Charlie Palmieri and his Duboney Orchestra’s recording of Tengo Maquina y Voy a 60! The Capitals have a collection of interlocking ligatures, the stylistic alternates swaps out a completely alternate Capitals character set, and the lowercase is a unique stumped unicase mix. Tengo Maquina has all the spark and ferver of the album which inspired it.(Tengo Maquina contains an extended Latin character set with added Vietnamese support.)
