Giureska

Giureska

I always admired the beauty of Gothic letters, but lamented their low readability. The revivals of Gothic faces are beautiful, but they revive everything, including the traits that prevent ...

Quendel

Quendel

Quendel has been expanded to become Quendel Happy Family. Apart from the new Bold weight for easy distinction and emphasis, there are now four other very exciting variants, rendering different ...

Maccaroni

Maccaroni

David Kowalski’s typeface Maccaroni is based on a logo type and has been designed to a complete typeface in Prof. Veljovic’s Type Design course at HAW Hamburg. Maccaroni breaks the traditional brush ...

Seizieme

Seizieme

In 1905 the Parisian typefounders Peignot & Cie. issued their Série 16. This clear roman with a large x-height and an italics soon enjoyed a great popularity. Coen Hofmann’s drawings made for the ...

Labyrindo

Labyrindo

Labyrindo is inspired on the classic Labyrinth. The oldest known labyrinth is 3200 years old and is to be found in Greece. The mythological king Minos held the monstrous son of his wife ‘Minotaurus’ ...

ThreeDee

ThreeDee

The idea for this completely new font design with overlapping characters came when Axel Stoltenberg, longtime IKARUS program developer at URW + +, visited a restaurant. As it can be seen quite often ...

Slope Slab Pro

Slope Slab Pro

Slope Sans is an original design that combines a technological shape model borrowed from the early Macintosh system fonts with organic, open elements looking futuristic in a retrospective manner. ...

Slope Sans Pro

Slope Sans Pro

Slope Sans is an original design that combines a technological shape model borrowed from the early Macintosh system fonts with organic, open elements looking futuristic in a retrospective manner. ...

Pinel Pro

Pinel Pro

The characteristic ‘French face’ was originally made in 1899 under the supervision of Joseph Pinel. Thus, what was originally French 10 pt. Nº 2, got its present name. The Frenchman Joseph Pinel ...

Nipon

Nipon

Nipon has an affiliation with the Far East. The first character I designed for this alphabet was the capital P. The stepped thin lines are linking to the Japanese characters and the circle shape is a ...

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