Filistique
Filistique is gracious, flexible, and stylish. In the first sketches of this typeface, the one-line drawing principle was the rule. This principal had to perish soon when more complex characters came ...
Filistique is gracious, flexible, and stylish. In the first sketches of this typeface, the one-line drawing principle was the rule. This principal had to perish soon when more complex characters came ...
Seven superb scripts, to be freely mixed with one another. Alone, each of them flows nicely, but combined they reach ultimate vitality and grace. The Pleiades are one of the most beautiful ...
Sultania is a harmonic synthesis of the old characters’ suppleness and the resolute, clean design of modern typography. The rich in contrast calligraphic approach with thick and thin strokes is still ...
The idea was to create a fully equipped handwriting script. Thus equipped with all kinds of typographic features like for example true small caps, lots of special characters, different sets of ...
The rasterized square (clear, therefore 4 as part of the font name) was the constructive basis. The intention was to put all characters within this grid and produce a highly structured, yet lively, ...
Symmetry is best suited for display use, inspired by circle shape and lines and curves, also space.
Marit Otto about Picastro: The revolutionary typeface. Picastro is a fusion of Picasso and Castro. Don’t be alarmed by the second name! It is no political statement. Both characters represent ...
Marit Otto about New Daily: This typeface design has a modern but yet classic appearance. That is why she listens to the name New Daily. I took some elements from the Art Nouveau and Art Deco (type) ...
Since better (larger) text samples were available for Thomas Versalien, this font is closer to it's original.
Remembering us of the early graffiti on the New York subways. And similar to creating and producing a graffiti, a "Piece", also the styles of Line44 are superposed in layers.