Caflisch Script
Caflisch Script was designed by Robert Slimbach in 1993. The design is based on the handwriting of Max Caflisch, one of the foremost graphic designers of this century. Caflisch, a teacher of graphic ...
Caflisch Script was designed by Robert Slimbach in 1993. The design is based on the handwriting of Max Caflisch, one of the foremost graphic designers of this century. Caflisch, a teacher of graphic ...
Penumbra is a capitals only design. Based on inscriptional capitals, the style progresses from a sans serif to a serifed design. The Penumbra font family is useful for posters, book jackets and ...
Penumbra is a capitals only design. Based on inscriptional capitals, the style progresses from a sans serif to a serifed design. The Penumbra font family is useful for posters, book jackets and ...
Penumbra is a capitals only design. Based on inscriptional capitals, the style progresses from a sans serif to a serifed design. The Penumbra font family is useful for posters, book jackets and ...
In 1968, American Type Founders produced OCR-A, one of the first optical character recognition typefaces to meet the criteria set by the U.S. Bureau of Standards. The design is simple so that it can ...
Nyx is a stencil typeface designed by lettering artist Rick Cusick and named after the designer's muse: the Greek goddess of night. Classic roman capital forms underlie its sharp, energetic surface. ...
A display face with strong contrast between thick and thin strokes and a distinct calligraphic influence, the Nueva font family is useful for display work in magazines, on packaging and for flyers ...
British designer Jeremy Tankard began Blue Island in 1996 with the idea of creating a completely ligature-based roman typeface, an original but complex task that took years to realize. Individually, ...
Joy Redick designed Blackoak, a big and heavy Egyptienne-sytle titling slab serif face, in 1990. The extremely robust style of the characters in this typeface was consciously distorted; creating ...
Birch was designed in 1990 by Kim Buker Chansler, who based her forms on the designs of the turn of the 20th century. The new age needed new typefaces for an ever-increasing commerce and its ...